Chromophobia by David Batchelor is a good informative read that doesn’t meet the mark of a revolutionary book. Change ), You are commenting using your Facebook account. David Batchelor, excerpt from Chromophobia, London: Reaktion, 2000, p. 22-23. David Batchelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. And yet it is a prejudice that is so all-embracing and generalized that, at one time or another, it has enrolled just about every other prejudice in its service. More specifically: this purging of colour is usually accomplished in one of two ways. In Chromophobia, David Batchelor analyzes the history of, and motivations behind, chromophobia, from its beginnings through examples of nineteenth-century literature, twentieth-century architecture and film, to Pop art, minimalism and the art and architecture of the present day. Chromophobia Summary. Your Web browser is not enabled for JavaScript. In one, colour is regarded as alien and therefore dangerous; in the other, it is perceived merely as a secondary quality of experience, and thus unworthy of serious consideration. Due to this fear, Batchelor explains that for centuries color "has been systematically marginalized, reviled, diminished and degraded" (22), and subsequently deemed inferior to design, line, and language. [...]. In the first, colour is made out to be the property of some ‘foreign’ body - usually the feminine, the oriental, the primitive, the infantile, the vulgar, the queer or the pathological. Art – Philosophy I. Batchelor also considers literature, Hollywood cinema, television advertising, and architecture in order to bring color's extremely … David Batchelor has argued that “in the West, since Antiquity, colour has been systematically marginalized, reviled, diminished, and degraded.” This chromophobia, or fear of color, manifests as the valorization of white as the color of rational, clean, controlled spaces, while color is seen as dangerous, superficial, and potentially contaminating. As with all prejudices, its manifest form, its loathing, masks a fear: a fear of contamination and corruption by something that is unknown or appears unknowable. We live in a world of art and color. About; Works; Books; Drawings; Sculpture; Paintings; Photography; Animations; Editions; Commissions The union between design and color and how it’s necessary that design maintain preponderance. Batchelor coins the term "chromophobia"--A fear of corruption or contamination through color--in a meditation on color in western culture. I still feel a passion for the examples I chose to challenge his proposition that society has consistently subjugated and sought to control colour. Chromophobia Summary. Or perhaps culture is other to the higher values of colour. David Batchelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. David Bachelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. Change ). ( Log Out /  February 20, 2019 February 20, 2019. [...] The notion that colour is bound up with the fate of Western culture sounds odd, and not very likely. Lauren Maji Uncategorized February 23, 2018 2 Minutes. It made me think of chromatic and a-chromatic color from a different perspective in one instance. In Chromophobia, David Batchelor discusses a phenomenon many of us are unaware exists--the fear of color. Batchelor describes the color chart as a disposable list of readymade color. Colour is dangerous, or it is trivial, or it is both. Buy Chromophobia (FOCI) by David Batchelor (2000) by David Batchelor (ISBN: 8601200852691) from Amazon's Book Store. View Chromophobia.pdf from HUN 195 at LaGuardia Community College, CUNY. Chromophobia Summary – Jess Shrader 2D Composition Batchelor, David Chromophobia 1. Building on the theoretical base of the essay Chromophilia from David Batchelor’s book Chromophobia, the exhibition experiments with how contemporary artists play, destroy, and reveal in the tension between post-1960’s use of industrial colors and the advent of the color chart. Chromophobia is David Batchelor's term to describe a continual anxiety towards color and its inherent potential to disrupt order or cleanliness. Everyday low prices and free delivery on eligible orders. This loathing of colour, this fear of corruption through colour, needs a name: chromophobia. Try Prime Hello, Sign in Account & Lists Sign in Account & Lists Orders Try Prime Cart He claims it is prevalent in Western societies. Chromophobia. ( Log Out /  [David Batchelor] -- The central argument of Chromophobia is that a chromophobic impulse - a fear of corruption or contamination through color - lurks within much Western cultural and intellectual thought. Everything has to be orderly, plain and simple because color would simply ruin the final result, or that’s the prejudice … Chromophobia by David Batchelor Summary. It made me think of chromatic and a-chromatic color from a different perspective in one instance. Chromophobia Summary. Some features of WorldCat will not be available. The central argument of Chromophobia is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. Chromophobia: Some thoughts on David Batchelor's theory. This loathing of colour, this fear of corruption through colour, needs a name: chromophobia. In the second, colour is relegated to the realm of the superficial, the supplementary, the inessential or the cosmetic. Written by topemaster. Either way, colour is routinely excluded from the higher concerns of the Mind. 0. An insightful read with a different view on some color theory, but not revolutionary. Writers have tended to look no further than the end of the nineteenth century. It’s not a word with any resonance, although the ‘e’ was once pronounced. “The word itself (blue) has another color. This could be due to the fact … In the first, colour is made out to be the property of some … Chromophobia. 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